The genres go in cycles=
1) EXPERIMENTAL ------ 2) POST-MODERN ------ 3) CANNON
- if the experimental stage of genre attempts to establish trends
- the cannon stage works within those trends to fix them into our cultural understanding
- poster modernism look at those trends and adds something new in
- This creates a new experimental stage
THE MUSIC VIDEO
A music video is post modern stage of the evolution of cinema =
1) SHORT SILENT FILMS ----- 2) FULL LENGTH TALKIES FILMS ------ 3) MUSIC VIDEOS
Post modernism =
- becomes the 'new' by referring to the 'old'
- invents by copying
- humorous/terrifying
- can be created by anyone - democratic
INTERTEXTUALITY
John Stuart described a music video as, 'incorporating,raiding and reconstruction'.
Robert Palmer's music video(left) for his song, Addicted to Love (1986) has been parodied several times for its use of females to be seen as a band who like mannequins alongside Palmer himself.
It was copied by Shania Twain (below) for her music video, Man i feel like a Woman (1999).
Another example of intertextuality in a music video is in, Gentlemen prefer Blondes (1953) and it was copied in 1985 in Madonna's, Material Girl.
John Stuart described a music video as, 'incorporating,raiding and reconstruction'.
- It is using something that is familiar to the audience/viewer which could generate nostalgic associations and new meanings
- Music videos are the most known for intertextuality than any other media form
Robert Palmer's music video(left) for his song, Addicted to Love (1986) has been parodied several times for its use of females to be seen as a band who like mannequins alongside Palmer himself.
It was copied by Shania Twain (below) for her music video, Man i feel like a Woman (1999).
Another example of intertextuality in a music video is in, Gentlemen prefer Blondes (1953) and it was copied in 1985 in Madonna's, Material Girl.
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